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Spotify Launches Artist Radio in the U.S.!

When Spotify launched in the United States., the artist radio feature that is available in Europe was absent.  Even without that feature, Spotify is a great service, and well worth the premium subscription price of $10 a month.

Still, people being people, many complained and begged Spotify to enable some sort of radio feature.

Much to my happy surprise, when I fired up Spotify tonight, the Artist Radio feature was there.  No announcement, no bells and whistles.  It was just there.

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This makes an already excellent service even better.  Hopefully over time, Spotify will add more ways to fine tune your radio.

Here’s the bottom line.  If you like music, even a little bit, there is no rationale basis for not signing up for Spotify as fast as you can.  It’s damn near perfect already, and it just gets better and better.

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Jukebox, Spotified

Spotify Jukebox

A long time ago in a galaxy far away, music bloggers used to open up their music library, hit random, and list the first 10 or so songs that played.  It was stone age music sharing, only without the ability to, you know, actually hear the music.

I did a bunch of those posts.  Here’s one I did on October 22, 2005.  It was like writing quarter notes on the cave walls of my blog.

It just got a whole lot better.

As anyone who reads my blog, talks to me for more than a minute or wanders into my office knows, I am deeply in love with Spotify.  One of the many reasons why, is because Spotify finally gets music right- and legal- in the social arena.  It’s like a better, faster, legal Napster.

So…

I went back to that old post, and made a Spotify playlist.  Of the 10 songs that randomly played that day, 8 of them are available on Spotify.  And remember, I have a huge and very, very diverse song library.  If Spotify has – or can soon get – anywhere close to 80% of my song library, that will be pretty impressive.

Here’s that playlist, from 2005.  If you have Spotify, the app will open the playlist.

The only songs I couldn’t find on Spotify are What You Want, by The Mertons, and Girl About a Song, by Jonathan Gregg.

I’m going to start making new Jukebox playlists, and sharing them via Spotify.  So get ready for good music.  Oh, and go sign up for Spotify.

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Spotify Wins the Race to My Desktop (and Heart)

Everybody and their dog is talking about Spotify today, which is understandable since it, finally, finally launched in the United States this morning.  I’ll keep this (sort of) short.

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I have been holding a secret sweepstakes in my head about which much ballyhooed app would find its way to my desktop first.  Google+, which is the talk of the internets, and still, amazingly,  unavailable to Google Apps users, or Spotify, the Holy Grail of music apps.  Spotify won.

I’ve been using Spotify for a few months, and can say unequivocally that it is the best music app I have ever used.  By far.  Now that it’s officially available and I don’t have to worry about some record-label madness derailing my joy, here’s what I know.

One, Spotify is going to completely change the music game, for the better.  I simply cannot believe there is a true music fan that won’t find $5 or $10 a month a screaming bargain for what Spotify offers.  Spotify has already replaced Windows Media Player and the bloated train wreck  that is iTunes as my default music player.

Two, I have cancelled my Slacker Radio account, and may very well cancel my Pandora account.  The 6-skip an hour limitation on Pandora (even the paid accounts) is simply a deal-stopper for me.  The only thing that could ensure that I keep Pandora will be if it gets to my car quickly and cheaply.  I want to dump Sirius XM (and the annoyance that is Mojo Nixon) much more than I want to dump Pandora, so the dashboard is open for Pandora to secure its place in my paid apps lineup.

Three, unlike 99% of the apps out there, Spotify does social right.  The sharing features really add something to the experience.  As soon as I add some alt. country, country rock, classic rock and blues loving friends to my Spotify circle, music discovery will be a significant, and fun, part of the experience.

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Four, while there are tons and tons of songs in Spotify’s library, there are some holes around the edges.  Particularly as it relates to less mainstream and older music.  One of the first things I did was to try to add all the alt. country songs I thumbed up via Pandora to a Spotify playlist.  I was a little surprised at how many weren’t available.  I hope the library grows like I know the user base will.

Five, as amazing as this may sound, I have not added my huge local music library to Spotify.  I have 26,000 or so (legal, non-shared) songs on my music server.  The thing is, there are probably 15,000 or so of them that I never want to hear again.  I’m afraid things would get too cluttered if I tossed my entire library into my Spotify window.  Rather, I am going to use local files to fill in some of the gaps, and use Spotify’s library as my main one.  This may change, but that’s the current plan.

I’m really stoked about Spotify.  Now, if Google will stop screwing over Google Apps users, my desktop (and heart) will be full of joy.

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GoodSongs: Sylvie Vartan

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I stayed up way too late last night listening to Sylvie Vartan.  She exudes a level of coolness that most American pop stars of the era (early to mid-60s) could only hope for.

How popular was Sylvie in the mid-60s?  In 1964 at the Paris Olympia, she appeared as the main attraction on the same bill as the Beatles.

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Pretty awesome.  Pretty.  Awesome.

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Calling All Mix Masters: Turntable.fm Rocks

Back in college, I was a DJ at one of the local bars.  It was a fun gig, and, at least in my selective memory, I had mad skills.  Mad skills, I tell ya!  I’d love to show my mix skills around the house, but my kids hate my Allman Brothers records about as much as I hated my parents’ lame Vic Damone LPs.

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Now, maybe I can find a willing crowd, thanks to Turntable.fm.  Turntable.fm lets you create shared listening rooms where you and your friends (or strangers, if you prefer) can take turns queuing up and playing songs.  You can search for songs already on the site (I had mixed results doing this, with some songs being incomplete) or you can upload your own.  The uploading process is fast and easy and, importantly, MP3 tags are recognized and processed accurately.  Once you upload songs, they remain in your playlist until you remove them.  There are limitations on how often artists can be played per hour, which indicates that the required licensing is in place.

I created the Rancho Room, dedicated to less known alt. country, southern rock, country rock, classic rock & whatever else sounds good.  Some old-timers will recall the original Rancho Room, a chat room I developed, circa 1995, where we had some hilarious times back in the day.  Anyone remember those collaborative stories we wrote?

The best way for social network fledglings to understand Turntable.fm is to imagine a shared, streaming radio station, with a rotating playlist created by the people in the room. I have no chance of getting enough friends in the room at the same time to create any kind of a real-time scene.  But what I – and hopefully others- can do is upload some good songs, play them for my own ears when I want to hear them, and maybe some other folks will stop by to listen.  If I can get a little traction, maybe some of my friends will create their own playlists and, who knows, if we happen to be listening at the same time, our songs will be meshed into a collaborative playlist.

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There’s a rating feature for songs, but I haven’t enticed anyone else to create a playlist yet, so I ‘m not sure how it works.  Once I get some of you onboard, we’ll try it out.

You can share your DJ status to Facebook or Twitter with a click of a button.

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I’ve tried a lot of socially oriented music apps, and some of them are fun.  But I haven’t seen any others with as much “fun” potential as Turntable.fm.  In a universe of half-baked ideas tossed haphazardly into the social networking space, I think Turntable.fm is really onto something.  I like this app.  A lot.

At the end of the day, the Turntable.fm experience probably depends on your ability (or lack thereof) to get a core group of users to populate your room.  You can probably solve this hurdle by creating a public room.  I’m hoping to limit my room to people who enjoy the same sort of music I do, so the Rancho Room is unlisted for now (fear not, you are invited).  I know a lot of people who love the same music I do.  Can I get them to try the service?  That’s a good question.  At least there’s no way it will end as badly as my 2005 Flickr experiment did.

One thing I don’t like is that users have to sign up and in before they can visit a room.  That seems like an unnecessary hurdle to growth.  Sure, people should have to sign up to create a room, and maybe to DJ, but folks should have the ability to visit without signing up.  An easy way to handle this would be to allow a limited number of “guest” listeners per room.  I also don’t like the degree to which the service is tied to Facebook.  If you have a Facebook Friend who uses the service, you’re in.  But what if I want to invite a (lower case) friend who isn’t on Facebook?  Does that work?  I could make this app rock, but these limitations make it harder than it should be.

So.  Do you like alt. country, southern rock, country rock and/or classic rock?  If so, come on in and take a listen.  If you like what I’m trying to do, drop me an email or Facebook message, and I’ll send you a DJ link (I have to have an email address to invite you to DJ, unless we are Facebook Friends).

Here’s my playlist, so far.

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As a songwriter, tech blogger and music fan, Turntable.fm lies at the crossroads of my interests.  I’m pretty excited about it.

Come on in, and take a listen.

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GoodSongs: New Robert Bobby Record

I don’t have many rules, but one of them is that whenever Robert Bobby does a new record, I’ll review it.  I can’t overstate how much I like some of his work.  Most particularly Genuine Queen of Milwaukee.  10 or so years later, this is still one of my favorite songs.  The line “you ought to see her Adam’s apple, man dance” [Robert tells me I had that last word wrong] is one of the best ever put to music.

Enough about that.  Just one day after Genuine Queen was among the first songs I added to my Turntable.fm listening room (look for a full review of Turntable.fm tomorrow), I got a review copy of Robert’s brand new record, with The Robert Bobby Trio.   A Brief History of Time is available now at CD Baby.  You can buy a CD or download MP3s immediately.  And you should, because this is a really good record.

A Brief History of Time is not as country-ish as my favorite Robert Bobby songs, but it is full of good Americana and acoustic blues music.  It has been described as “a perfect blend of singer-songwriter, folk, Americana & blues!  Like John Prine only cheaper!”  That’s not a bad description.  A Brief History of Time, the title track, sounds like good Prine in his prime.

This record was recorded live in the studio, which gives it a more immediate sound, with some of the energy of a live performance.  It’s all about the picking and playing.  Bill Nork’s dobro and mandolin tracks are uniformly excellent.  Robert’s guitar work is stellar and Robert’s wife, who plays a mean bass, demonstrates that Robert is not the only musician in the family.

Wild About My Loving would have fit right into a Townes Van Zandt & Guy Clark set list.  Great guitar and mandolin.  The Peace Song doesn’t tread any new ground lyrically, but again the guitar work is stellar.  Ain’t No Way, a remake from an earlier record, is a fantastically wistful number.

Rocking My Baby Back Home picks up the tempo a little, with an acoustic rockabilly vibe.  My favorite song on the record is Hearts Like Atoms Split, probably because it sounds the most like the older Robert Bobby songs I have listened to for years.  When Strangers Start to Cry also has the country sound that I like so much.

I was prepared not to like One Meatball, based on the title, but it got me with a Stray Cats vibe, a good story and, I know I sound like a broken iPod, some excellent guitar work.

At the end of the day, I don’t like this record as much as I like some of Robert’s older stuff, such as Genuine Queen, Lucinda Williams (great tribute song to a great artist whose older work I also prefer) and The Best of All Possible Worlds, but that’s sort of like being critical of the Rolling Stones because every record isn’t Exile on Main Street.

Go buy this record.  It’s highly recommended.

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Editing in the Cloud: The Killer Feature that Gives Google Music the Cloud Advantage

I was pretty excited when Amazon beat the crowd that matters to the cloud with the Amazon Cloud Player.  Since I buy all of my music from Amazon, it is convenient to have my music purchases sent directly to my Amazon cloud, for immediate playing, and downloading only as needed.

I was so excited, in fact, that I bought a bunch more cloud space and began the arduous process of moving my huge music collection to the cloud.

But there was a little problem.  Like many audiophiles, I am pretty anal where my music tags and artwork are concerned.  If I see a mislabeled genre or mixed up album cover, I need- who am I kidding, I simply must have- a way to quickly fix it.

On the Amazon cloud, that’s not all that easy to do.  Amazon doesn’t (yet) provide a way to edit song or album details from the cloud.  You have to download the songs you want to fix, delete them from the cloud, fix them locally and then re-upload them.

That’s sort of a drag.  Figuratively and literally.  I also find Amazon’s music uploader less than elegant and not very reliable.

With Google’s recent introduction of Google Music, there is a new competitor in the cloud.  While it’s early,  I think I slightly prefer Google’s look and feel.

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But probably not enough to outweigh the ability to send my Amazon purchases directly to my Amazon cloud.  However, I quickly discovered a feature that tips the scale decidedly in favor of Google.  It’s much more appealing than Lady Gaga.  It’s the ability to edit from the cloud!

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Sweet!

At the end of the day, the process to get my new music from Amazon to Google Music is pretty simple, and automated.  I configured Google Music Manager to monitor my Amazon download folder, and automatically upload whatever shows up there.

I agree that Apple may one day deliver a cloud-dominating knock-out punch, but that may take some time, as you can never count out the innovation adverse music industry (as an aside, I get a few dollars from BMI every quarter or so, and I still can’t abide the obstacles these organizations keep tossing on the path to access).  They may be trying to protect someone’s income, but I’m not certain it’s the songwriters’.

In any event, I’m pretty excited about Google Music.  The 20,000 song limit will prevent me from moving all of my music there (at least until cheap extra storage becomes available, like Amazon offers).

But as of now, it’s leading the race to become my default music manager.  Stay tuned, however, because the race is just beginning.

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GoodSongs: Vintage Byrds

My all-time favorite guitarist is Clarence White, of The Kentucky Colonels, Nashville West and The Byrds.  Here’s a great version of Old Blue from the Boston Tea Party (February 22, 1969) bootleg.

The Byrds – Old Blue

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Jesse McReynolds Does the Grateful Dead (and Very, Very Well)

I was clicking around Amazon today, working on my music migration to the beautiful new Amazon Cloud (more on that later) and I came upon a music recommendation for Jesse McReynolds’ newish record, Songs of the Grateful Dead .  I listened to a few clips, bought it, and was completely blown away.

As is my custom, I then clicked over to YouTube to see if I could find some live versions, and boy did I hit the jackpot.  Here’s some HD footage of Jesse’s appearance just last week at  Springfest 2011, in Live Oak, Florida.  This is absolutely some of the best music you will ever hear.  This is an embedded playlist- there are 10 unbelievable songs.

You can select HD quality and watch it full screen.

After you soak up this goodness, run over to Amazon, and buy this record.

 Songs Of The Grateful Dead

Jesse McReynolds – Songs of the Grateful Dead.

Wow!

And if you’re a fan of good music, you have to subscribe to dschram1’s YouTube Channel.  It’s the best music channel I’ve seen on YouTube.

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GoodSongs: Robyn Ludwick’s Out of These Blues

Robyn Ludwick blew me away a few weeks ago, when I saw some of her concert footage  on Youtube.  To say that I dig her is a massive understatement.

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Today I received a pre-release copy of her forthcoming record, Out of These Blues, which will make the world a better place on April 19, 2011.

The short answer is that this is the first must-buy record I’ve heard this year.  My biggest gripe about most records in these digital days is the uneven quality of the songs.  You generally get a couple of great ones, some decent ones and some filler.  That’s not a problem on this record – there’s not an average song on it.  They run from excellent to very, very good.

Listen to Hollywood, and you’ll see what I mean.  “She left me for Hollywood.  Oh, don’t you know it feels so good.  In Hollywood.”  Awesome.

The title track has a timeless vibe, that would’ve been at home in the glory days of MP3.Com, when I discovered many of the alt. country bands I still listen to, or during the Gram Parsons-nurtured infancy of country rock.  The best music, of any genre, has rural roots, but a harder, darker edge- like someone who came to country music via Macon, Georgia as opposed to Nashville.  This record sounds like that.

New Orleans is a great song, with some excellent country noir lyrics.  Cajun country, Springsteen’s Rosalita, Austin style.

Steady has a bluesy organ vibe that just boils with an early Lucinda-like passion.  I’d love to hear Robyn cover Lucinda’s Side of the Road.  Actually, she can sing whatever she wants.  As long as I get a copy.

Fight Song may be the best alt. country torch song ever recorded.  I Am may be the second best one.   Can’t Go Back channels Guitar Town era Steve Earle. A fiddle led, danceable number that needs to be heard at Gruene Hall, after a day on the river.

Let’s recap.  We have alt. country, rock, blues and country torch.  I love the way this record so easily and effectively moves from country to blues to rock.  The arrangements are excellent.

This one will clearly be a contender for my 2011 record of the year.  Count the days, friends.  April 19 will be here before you know it.  Wake up early that morning and buy this record.

In the meantime, Robyn has two records you can buy at Amazon right now.  For So Long and Too Much Desire.  I bought them both, and they are also great records.

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